top of page


Marcelo Fernando de Souza has been working since 1990 in various theatrical productions for adults and children, participating in theater festivals in different regions of Brazil. In 1995 he received the Best Actor Award at the Teresina National Theater Festival for the show O Homem com a Flor na Boca. He also acted in shows such as MacBeth (1992), Piquenique no Front (1993), Ladies and Gentlemen (1993) and Negro Olhar (1994). Since 1996, he has had the solo show Brincando de Bonecos in his repertoire, for which he received awards for best show, best actor and best dramaturgy. In 2003, he joined Cia. Experimentus, with which he works to this day in the staging of O Menino do Dedo Verde (2002) and other shows. He wrote around twenty theatrical texts and directed shows such as A Bolsa Amarela (2014), Crimes Delicates (2006), O Menino Maluquinho (2006), among others.


Lida (2020) is a six-minute solo show which reveals the birth of a body, a choreographic composition that builds itself through the struggle for movement. What limits us can move us forward?


Luisa Venturelli



by himself

I studied in a conventional school despite the recommendation of a special school, as I was diagnosed at age 9 with severe dyslexia and psychomotor coordination problems. I went through the difficulties and bullying that everyone knows well and that made me hide dyslexia for over thirty years. Initially I even doubted my intelligence.

I believe that this daily exercise of building paths in my mind generated asymmetrical thinking, which enhances my creativity, since my brain could not follow the “standard” path.

bottom of page